September 1996, Volume 23, Number 3

Table of Contents

Articles

Liminaire
ROUMIANA DELTCHEVA , WACLAW M. OSADNIK , EDUARD VLASOV
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637-637
Beyond the Boundaries of the Medium
ROUMIANA DELTCHEVA
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639-644
Film and Literature: Historical Models of Film Adaptation
ALICJA HELMAN , WACLAW M. OSADNIK
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645-658
Overcoming the Threshold: Bakhtin, Eisenstein, and the Cinema of German Expressionism
EDUARD VLASOV
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659-678
A Compromise with Literature? Making Sense of Intertitles in the Silent Films of Alexander Dovzhenko
BOHDAN Y. NEBESIO
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679-700
After the Carnival: The Filmic Prosaics of Schindler's List
WILLIAM H. THORNTON
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701-708
Neo-Realism/Neo-Counterfeitism in Literature and Film: André Gide and Maurizio Nichetti
CARLO TESTA
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709-723
Tracking the Dialectic: Theodor Adorno and Michael Mann's The Last of the Mohicans
ALAN BOURASSA
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725-737
Frankenstein of the Nineties: The Composite Body
BOURIANA ZAKHARIEVA
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739-752
Destination Classified: On the Transofrmation of Spatial Forms in Applying the Narrative Text to Film (The Case of Heart of Darkness and Apocalypse Now)
ROUMIANA DELTCHEVA
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753-764
Envisioning Spaces: Akira Kurosawa's Adaptation of Dostoevsky's The Idiot
EMMA P. MARCIANO
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765-774
King Lear's Filmic Adaptation: A Chaos?
THAÏS FLORES NOGUEIRA DINIZ
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775-780
Orphée à l'écran: Un défi représentatif
SABINE HILLEN , NATHALIE ROELENS
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781-790
Cinematic Adaptation: Orfeu Negro da Conceição
JARED BANKS
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791-801
Narrators in Narration in Fiction and Film: Ruth Prawer Jhabvala's Heat and Dust
MARÍA CRISTINA RODRÍGUEZ
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803-808
The Spirit of Australia in Picnic at Hanging Rock: A Cast Study in Film Adaptation
MAREK HALTOF
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809-822
Insect Poetics: Cronenberg's Naked Lunch
WILLIAM BEARD
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823-852
Literature-Film Relations: Selected Bibliography (1985-1996)
ROUMIANA DELTCHEVA
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853-871