| The Death of the Fairytale Prince: Feminism, Postmodernism and the Sexual Confession |
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IRENE GAMMEL
|
281-294 |
| The Stolen Woman: Oral Narrative, Postmodernism and the Feminist Turn in Anthropology |
PDF
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CAROL MURRAY
|
295-309 |
| Duras' Le vice-consul and the Itinerant Discourse of Feminism |
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NINA GILBERT
|
311-324 |
| Postmodernism Meets the Great Beyond: les guérillères and Le corps lesbien |
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CATHERINE NELSON-McDERMOTT
|
325-330 |
| In Her Own Voice: An Irigarayan Exploration of Women's Discourse in Caro Michele (Natalia Ginzburg) and Lettere a Marina (Dacia Maraini) |
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|
LYNNE MASLAND
|
331-340 |
| Theorising About New Modes of Representation and Ideology in the Postmodern Age: The Practice of Margaret Atwood and Li Ang |
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ZHONGMING CHEN
|
341-354 |
| Language and Subjectivity in the Postmodern Texts of Anglo-Canadian and Anglo-Québec Writers |
PDF
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EUGENIA SOJKA
|
355-369 |
| Ruder Than You: Punk's Postmodern Aesthetic |
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JENNIFER CYPHER
|
371-381 |
| Feminist Detectives and the Challenges of Hardboiledness |
PDF
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KATY EMCK
|
383-398 |
| Desire in Feminist Narration: Reading Margit Kaffka and Dorothy Richardson |
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LIVIA KÄTHE WITTMANN
|
399-415 |
| Post-Modern Fiction and Theatricality: Simulation, Deconstruction, and Rhizomatic Writing |
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|
FERNANDO DE TORO
|
417-443 |
| How to (De)construct a Narrative World |
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|
URI MARGOLIN
|
445-456 |
| Histoire du livre et bibliologie |
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ROBERT ESTIVALS
|
457-468 |
| Comparative Literature and Applied Cultural Studies, Or, a Report on the XIVth Triennial Congress of the ICLA/AILC (University of Alberta, August 15-20, 1994) |
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STEVEN TÖTÖSY de ZEPETNEK
|
469-490 |
