| Introduction / Avant-Propos |
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ANNE HERRMANN,
ROSS CHAMBERS
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1-8 |
| (Re)Writing Gay Identity: Fiction as Theory |
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MICHAEL WORTON
|
9-26 |
| Marlowe and Constructions of Renaissance Homosexuality |
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CLAUDE J. SUMMERS
|
27-44 |
| Homophobia and the Imperial Demon Lover: Gothic Narrativity in Irish Representations of the Great War |
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MARGOT GAYLE BACKUS
|
45-63 |
| Roland Barthets's Semierotics |
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LAWRENCE R. SCHEHR
|
65-79 |
| Outlaw Documentary: David Wojnarowicz's Queer Cinematics, Kinerotics, Autothanatographics |
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DIANNE CHISHOLM
|
81-102 |
| Tryptique Lesbien: Allegory as Auto-da-fé |
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TERRI GINSBERG
|
103-115 |
| In Search of 'Sodom North': The Writing of Lesbian and Gay History in English Canada, 1970-1990 |
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STEVEN MAYNARD
|
117-132 |
| Mistaken Identities: Re-Defining Lesbian and Gay Studies |
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DENNIS W. ALLEN
|
133-148 |
| 'Get Out of Here!': Modern Gay Queer Languages in the 1990s |
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MIREILLE ROSELLO
|
149-168 |
| Poaching and Pastiche: Reproducing the Gay Subculture |
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ROSS CHAMBERS
|
169-192 |
| Some Glances at the Black Fag: Race, Same-Sex Desire and Cultural Belonging |
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MARION B. ROSS
|
193-219 |
| Responsibilities: Deconstruction, Feminism, and Lesbian Erotics |
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RICHARD DELLAMORA
|
221-242 |
| Between Inclusion and Visibility: A (Lesbian) Diary |
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ANNE HERRMANN
|
243-254 |
| Queer Marks/Nomadic Difference: Sexuality and the Politics of Race and Ethnicity |
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FADI ABOU-RIHAN
|
255-263 |
| 'Le phénomène queer': essai de lecture féministe |
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JEANNELLE LAILLOU SAVONA
|
265-276 |
