| Speech Acts and World-Creation: The Dual Function of the Performative |
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ANGELA ESTERHAMMER
|
285-304 |
| Avatars critiques de la Modernité: La Descendance de Baudelaire |
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ANGELA COZEA
|
305-335 |
| Ophelia as Poet: Lesja Ukraïnka and the Woman As Artist |
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|
IRENA R. MAKARYK
|
337-354 |
| Malcolm Lowry and the Tao |
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|
JOHN (ZHONG) CHEN,
SHAOBO XIE
|
355-380 |
| 'The Incredible Sad Tale of Eréndira...': A New Look at Female Suppression |
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|
LOIS MARIE JAECK
|
381-393 |
| Beloved: Toni Morrison's Post-Apocalyptic Novel |
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|
JOSEF PESCH
|
395-408 |
| John Asberry and Paavo Haavikko: Architects of Postmodern Space in Mind and Language |
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|
SEIJA PADDON
|
409-416 |
| (Re)Vision(s) of Canadian Literature(s) / (Ré)vision(s) de(s) [la] littérature(s) canadienne(s) |
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STEVEN TÖTÖSY de ZEPETNEK,
MILAN V. DIMIĆ
|
435-436 |
| Dialogism in Canada's First Novel: The History of Emily Montague |
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|
ROBIN HOWELLS
|
437-450 |
| 'No Woman Lover': Baroness Elsa's Intimate Biography |
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|
IRENE GAMMEL
|
451-467 |
| Divided and Dismembered: The Decentered Subject in Margaret Atwood's Bodily Harm |
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|
SONIA MYCAK
|
469-478 |
| Sweet Sub/Versions: The Feminizing Effect of Postmodernism on Canadian Literature |
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|
ELSPETH CAMERON
|
479-489 |
| Literature and Change in Peru |
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|
MARIO D. FENYO
|
565-575 |
| Twenty Years of the Canadian Review of Comparative Literature / Vingt ans de la Revue Canadienne de Littérature Comparée |
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|
MILAN V. DIMIĆ
|
579-582 |
| Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée: Twenty Year Cumulative Index, 1.1 (Winter 1974) to 20.3-4 (September/December 1993) |
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|
YAN QIGANG,
STEVEN TÖTÖSY de ZEPETNEK
|
583-646 |
| Alexander von Humboldt-Stiftung 1953-1993 |
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|
MILAN V. DIMIĆ
|
647-647 |
| Index to Volume 20 (1993) |
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|
VARIOUS VARIOUS
|
651-655 |
