| Theorie litteraire et litterature traduite |
PDF
|
|
ANDRE LEFEVERE
|
137-156 |
| Estebanillo and Simplex: Two Baroque Views of the Role-Playing Rogue in War, Crime, and Art (with an Excursus on Krull's Forebears) |
PDF
|
|
GERALD GILLESPIE
|
157-171 |
| Railway Lyrics: The Slavic Forms |
PDF
|
|
ALEKSANDAR FLAKER
|
172-187 |
| The Irritant and the Pearl: 'Jones's Karma' and the Poetry and Drama of T.S. Eliot |
PDF
|
|
P. S. PADMANABHAN
|
188-199 |
| The Sensual and the Cerebral: The Mating of D.H. Lawrence and Andre Malraux |
PDF
|
|
D. G. BEVAN
|
200-207 |
| John Barth's Portrait of the Artist as a Fiction: Modernism Through the Looking-glass |
PDF
|
|
JAN MARTA
|
208-222 |
| Proceedings of the Montreal-Ottawa Congress of the ICLA |
PDF
|
|
ULRICH WEISSTEIN
|
223-234 |
| Preliminary Bibliography of Comparative Canadian Literature (English-Canadian and French-Canadian) Sixth Supplement, 1980-1 |
PDF
|
|
DAVID M. HAYNE,
ANTOINE SIROIS
|
235-240 |
