Michelangelo Pistoletto's Community of Limits

Abstract

This essay takes a look at the career of Italian artist Michelangelo Pistoletto during the 1960s, seeking to make connections between his work, Italy's shifting social atmosphere and the impetus of youth counterculture at the time. Through the formal analysis of Pistoletto's paintings, sculptures, and performances, the paper culminates in a discussion of the meaning of community and its value in an industrialized world.