| Introduction Feminism . . . What are we supposed to do now? |
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Cecily Devereux,
Jo Devereux
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9-11 |
| Possibilities of Life: My Women's Movement |
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Jeanne Perreault
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12-16 |
| In Pursuit of Feminist Postfeminism and the Blessings of Buttercup |
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Teresa Hubel
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17-21 |
| Of Bombs, Baking, and Blahniks |
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Lauren Gillingham,
Jennifer Henderson,
Julie Murray,
Janice Schroeder
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22-30 |
| Twenty-first Century Global Sex Trafficking: Migration, Capitalism, Class, and the Challenges for Feminism Now |
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Marjorie Stone
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31-38 |
| “Perestroika in the Groves of Academe”: Feminism and the Future of the Humanities as a Profession |
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Archana Rampure
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39-43 |
| “We Who Are Not the Same” in Times that Are/Not the Same |
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Donna Palmateer Pennee
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44-50 |
| Introduction: Diagnosing Romanticism |
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Stephen Ahern
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69-76 |
| The Paradox of Effeminized Masculinity and the Crisis of Authorship |
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Lisa Butler
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77-98 |
| Speaking of Godwin’s Caleb Williams: The Talking Cure and the Psychopathology of Enlightenment |
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Joel Faflak
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99-122 |
| "The Soul of Art": Understanding Victorian Ethical Criticism |
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Rohan Maitzen
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151-186 |
| “Morpho Eugenia” and the Fictions of Victorian Englishness: A.S. Byatt's Poscolonial Critique |
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Michelle Weinroth
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187-222 |
| Estranging the Familiar: East and West in Satrapi's Perespolis |
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Nima Naghibi,
Andrew O’Malley
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223-248 |
| Memory’s Homeland: Agha Shahid Ali and the Hybrid Ghazal |
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Malcom Woodland
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249-272 |
| Demetres Tryphonopoulos interviewing Leon Surette: “With usura hath no man a house of good stone” (Pound, Canto 45) |
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Demetres Tryphonopoulos,
Leon Surette
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273-292 |
| Literary London: Post-, Ex-, Trans-, Neo-? |
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Roger Luckhurst
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293-306 |
