| Keywords: Raymond Williams and Others |
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Annabel Patterson
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66-80 |
| The Gothic and the Fantastic in the Age of Digital Reproduction |
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Anne Quéma
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81-119 |
| “It’s not power, it’s sex”: Jeanette Winterson’s Power Book and Nicole Brossard’s Baroque d’Aube |
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Helene Staveley
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120-138 |
| “There and Back Again”: Progress in the Discourse of Todorovian, Tolkienian and Mystic Fantasy Theory |
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Greg Bechtel
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139-166 |
| Linda Hutcheon and Michael Hutcheon. Opera: The Art of Dying. |
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Kevin Kopelson
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217-222 |
| John Clement Ball, Satire & the Postcolonial Novel. V. S. Naipaul, Chinua Achebe, Salman Rushdie. |
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Heike Härting
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222-226 |
| Edward Marx, The Idea of a Colony: Cross-Culturalism in Modern Poetry. |
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Ruth A. Grogan
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226-231 |
| Eleanor Ty. The Politics of the Visible in Asian North American Narratives. |
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Benzi Zhang
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231-235 |
| Irene Gammel, Ed. Making Avonlea: L. M. Montgomery and Popular Culture. |
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Laura M. Robinson
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235-239 |
| Caroline Roberts. The Woman and the Hour: Harriet Martineau and Victorian Ideologies. |
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Mary Elizabeth Leighton
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239-243 |
| Aretino, Pietro. Cortigiana (La cortigiana) (1525). |
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Salvatore Bancheri
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244-246 |
| Gregory M. Cook. One Heart, One Way: Alden Nowlan, A Writer’s Life. |
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Lauren Caines
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246-249 |
| Alice G. den Otter, ed. Relocating Praise: Literary Modalities and Rhetorical Contexts. |
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Karen Simons
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249-251 |
| Paul Hjartarson and Tracy Kulba, eds. The Politics of Cultural Mediation: Baroness Elsa von Freytag-Loringhoven and Felix Paul Greve. |
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Alison Calder
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252-255 |
| Colophon |
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English Studies in Canada
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257-276 |
