| Determination, Determinations, and Dissemination |
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Len Findlay
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1-3 |
| Remapping Writing: Indigenous Writing and Cultural Conflict in Brazil |
PDF
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Lynn Mario Trinidade Menezes de Souza
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4-16 |
| Framing “Always Indigenize” beyond the Settler-Colony: “Indigenizing” in India |
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Paulomi Chakraborty
|
17-28 |
| “Indigenize” as Concept and Practice: A Post-NAFTA North-South Mexico Example |
PDF
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Rosemary Hennessy
|
29-38 |
| Trickster Ethics, Richler and King Fiddling |
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David Heinimann
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39-56 |
| Salvaging Sound at Last Sight: Marius Barbeau and the Anthropological “Rescue” of Nass River Indians |
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Pauline Wakeham
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57-88 |
| Genre and Gender: Autobiography and Self-Representation in The Diviners |
PDF
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Brenda Beckman-Long
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89-110 |
| Quotation and Self-Fashioning in Margaret Paston’s Household Letters |
PDF
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Valerie Creelman
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111-128 |
| “The crow on the crematorium chimney”: Germany, Summer 1945 |
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John Xiros Cooper
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129-144 |
| Exchanging Ghosts: Haunting, History, and Communism in Native Son |
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George C. Grinnell
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145-174 |
| Re/Joycean Mistakes, Misprisions, and Modernist Contexts |
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Suzette Henke
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175-188 |
| G. Glen Wickens. Thomas Hardy, Monism, and the Carnival Tradition: The One and the Many in The Dynasts. |
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Jo Devereux
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189-192 |
| Brad Bucknell. Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce, and Stein. |
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Brian Reed
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192-196 |
| Roger Y. Clark. Stranger Gods: Salman Rushdie’s Other Worlds. |
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Neil ten Kortenaar
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196-199 |
| Rowland Smith, ed. Postcolonizing the Commonwealth: Studies in Literature and Culture. |
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Arun Mukherjee
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199-204 |
| Anthony J. Hall. The American Empire and the Fourth World: The Bowl with One Spoon. |
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Diana Brydon
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204-207 |
| Joseph Bristow, ed. Wilde Writings: Contextual Conditions. |
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Sarika P. Bose
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208-212 |
| Maureen Moynagh, ed. Nancy Cunard: Essays on Race and Empire. |
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Holly McSpadden
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212-215 |
| John Galvin, ed. Dickens on Screen. |
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Goldie Morgentaler
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215-218 |
| Anne Lancashire. London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. |
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Jennifer Wise
|
218-222 |
