| On the Practical “Untidiness” of “Always Indigenizing” |
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Cheryl Suzack
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1-3 |
| The Importance of Hawaiian Language Sources for Understanding the Hawaiian Past |
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Noenoe K. Silva
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4-12 |
| Linda C. and the Terrors of the Rabbit-Proof Fence |
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Cathryn McConaghy
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13-20 |
| On Infinite Decolonization |
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Alberto Moreiras
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21-28 |
| Indigeneity, Colonialism, and Literary Studies: A “Transdisciplinary, Oppositional Politics of Reading” |
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Shari Huhndorf
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29-38 |
| “Injoying of true joye the most, and best”: Desire and the Sonnet Sequences of Lady Mary Wroth and Adrienne Rich |
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Madeline Bassnett
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49-66 |
| Death and the Married Maiden: Performing Gender in The Broken Heart |
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Roberta Barker
|
67-89 |
| “We who have been bred upon Sir Walter”: Margaret Oliphant, Sir Walter Scott, and Women’s Literary History |
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Pam Perkins
|
90-104 |
| Occupations and Preoccupations: Work in Ulysses |
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Rob Breton
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105-128 |
| Discovering Lily Lewis: A Canadian Journalist and New Woman |
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Peggy Martin
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129-150 |
| E. D. Blodgett. Five-Part Invention: A History of Literary History in Canada. |
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Tracy Ware
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161-165 |
| Helen M. Buss, D. L. Macdonald, and Anne McWhir, eds. Mary Wollstonecraft and Mary Shelley: Writing Lives. |
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Anthony John Harding
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165-169 |
| Herb Wyile. Speculative Fictions: Contemporary Canadian Novelists and the Writing of History. |
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Ajay Heble
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170-172 |
| John G. Peters. Conrad and Impressionism. |
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Philip Holden
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172-175 |
| Kevin Hutchings. Imagining Nature: Blake’s Environmental Poetics. |
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Mark Lussier
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176-178 |
| Reinhold Kramer and Tom Mitchell. Walk Towards the Gallows: The Tragedy of Hilda Blake, Hanged 1899. |
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Ann Leger-Anderson
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178-182 |
| Jan Gorak, ed. Northrop Frye on Modern Culture (“The Collected Works of Northrop Frye” volume 11). |
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Joe Velaidum
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182-183 |
| Len M. Findlay and Paul M. Bidwell, eds. Pursuing Academic Freedom: “Free and Fearless”? |
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Mervyn Nicholson
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184-186 |
| Ric Knowles, Joanne Tompkins and W. B. Worthen, eds. Modern Drama: Defining the Field. |
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Jerry Wasserman
|
187-189 |
| Colophon |
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English Studies in Canada
|
190-191 |