| Readers’ Forum Introduction |
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Michael O'Driscoll
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1-3 |
| Protecting “Pursuits that Relate to the Culture of the Country”: Advocating for the Artistic Merit Defence in Bill C-12 |
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Frank Addario,
Megan Davis Williams,
James Missen
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11-17 |
| Submission of the Writers’ Union of Canada to The Standing Committee on Justice and Human Rights on Bill C-20 |
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Writers’ Union of Canada
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18-24 |
| “Making up Stories”: Law and Imagination in Contemporary Canada |
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Lorraine Weir
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25-33 |
| Children’s Literature as Child Pornography |
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Perry Nodelman
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34-39 |
| Lyric Pronouncements, the Cachet of the Offended Reader, and the Limits of “The Public Good” |
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Natasha Hurley
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40-51 |
| The Knowledge of Canada / The Canada of Knowledge: Representing the Nation in Canadian Reference Books |
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Victor Shea,
William Whitla
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52-89 |
| Kingdom of Ends: Nation, Post-Nation and National Character in Northrop Frye |
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Adam Carter
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90-115 |
| Justice and the Pathos of Understanding in Michael Ondaatje’s Anil’s Ghost |
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Jon Kertzer
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116-138 |
| The PseudoHerodotean Origins of The English Patient |
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Vernon Provencal
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139-165 |
| “You Must Remember This”: Traumatic Postmemory and the “Cold War” Construction of Canon in Joyce Carol Oates’s Recent Fiction |
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David R. Jarraway
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166-183 |
| Gifts, Goods and Gods: H. D., Freud and Trauma |
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Ariela Freedman
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184-199 |
| Travel Writing at the End of Empire: A Pom Named Bruce and the Mad White Giant |
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Douglas Ivison
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200-219 |
| Whose Story is It, Anyway? Or… Power and Difference in The Book of Jessica: Implications for Theories of Collaboration |
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David Jefferess
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220-241 |
| Lisa Wood. Modes of Discipline: Women, Conservatism, and the Novel after the French Revolution. |
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Sharon Alker
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250-253 |
| Paul Whitfi eld White and Suzanne R. Westfall, eds. Shakespeare and Theatrical Patronage in Early Modern England. |
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Derek Cohen
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253-258 |
| Marshall Brown, ed. The Cambridge History of Literary Criticism. Vol. 5: Romanticism. |
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Angela Esterhammer
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258-261 |
| Raymond E. Jones and Jon C. Stott. Canadian Children’s Books: A Critical Guide to Authors and Illustrators. |
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James Gellert
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262-265 |
| Helen M. Buss, D. L. Macdonald, and Anne McWhir, eds. Mary Wollstonecraft and Mary Shelley: Writing Lives. |
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Anthony John Harding
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265-269 |
| Martin Kreiswirth and Thomas Carmichael, eds. Constructive Criticism: The Human Sciences in the Age of Theory. |
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Jonathan L. Hart
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270-273 |
| Paul Keen. The Crisis of Literature in the 1790s: Print Culture and the Public Sphere. |
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Gary Kelly
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274-276 |
| Peter Gibian. Oliver Wendell Holmes and the Culture of Conversation. |
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Thomas Loebel
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276-279 |
| Margo Swiss and David A. Kent, eds. Speaking Grief in English Literary Culture: Shakespeare to Milton. |
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Brent Nelson
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280-283 |
| Kathryn Carter, ed. The Small Details of Life: 20 Diaries by Women in Canada, 1830–1990. |
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Julie Rak
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283-286 |
| Lorraine York. Rethinking Women’s Collaborative Writing: Power, Difference, Property. |
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Wendy Robbins
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287-290 |
| Sylvia Bowerbank and Sara Mendelson, eds. Paper Bodies: A Margaret Cavendish Reader. |
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Marta Straznicky
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290-292 |
| Deborah Kennedy. Helen Maria Williams and the Age of Revolution. |
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Eleanor Ty
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293-295 |
| How and When Shall We Commit Suicide? |
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Katherine Durnin,
Valerie Henitiuk
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296-297 |
| Colophon |
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English Studies in Canada
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298-299 |
